Cool. I believe that's an absolute necessity. : I don't give a sh*t. Terence Fletcher: Now we got ourselves our mick f***ing paddy-cracker. Now get your sticks and get your ass on stage. Terence Fletcher And Jones nearly decapitates him for it. I wasn't there to conduct. Terence Fletcher So Charlie thinks to himself, "Well, shit, I did do a pretty good job." This is why I don't think we should be together. Now is not the time, I swear to God. Are you one of those single tear people? Andrew: Everybody remember, Lincoln Center and its ilk use these competitions to decide who they are interested in and who they are not. I earned that part. You better start shitting me perfect four-hundreds! Listen, the key is to just relax. Terence Fletcher: : Andrew: I don't know, I just never really saw the use. Shortly after that we hear the door open and it's reappeared. : FASTER! You must be upset. Ok, maybe a bug flew in my ear. Andrew: I don't know, she left when I was a baby. Now, was I rushing or I was dragging? Fuck you! Terence Fletcher: Terence Fletcher: Company Credits Terence Fletcher : They have plenty of friends and plenty of purpose. What are you there's no fucking Mars Bar down there, what are you looking at? Terence Fletcher: : Jim: What is wrong with you? Terence Fletcher: Get the f*** off my sight before I'll demolish you! And then Charlie thinks to himself, "Well, shit, I did do a pretty good job." I don't know, maybe a janitor came by or something Carl Tanner: I don't think people understood what it was I was doing at Shaffer. Look up here, look at me. Terence Fletcher: FASTER! Terence Fletcher Lawyer: Would you characterize his conduct as extreme, Andrew? I'm a first year. Andrew: [at the top of his lungs] And here comes mister gay pride of the Upper West Side himself. I think there's a certain amount of damage that will always have been done. I'll fucking kill you! : It's gonna be ugly. Andrew Andrew Hey, why don't you just back off, bro? We have an out-of-tune player here. Is that all you have you worthless Hymie fuck? Unfortunately, this is not a Bette Midler concert, we will not be serving Cosmopolitans and Baked Alaska, so just play faster than you give f***ing hand jobs, will you please? Andrew: [at the top of his lungs] I'M UPSET!!! And he's laughed off-stage. Terence Fletcher: Connections Lawyer: Sean suffered from anxiety and depression. Andrew: Connolly, get your fuckin' ass back on the kit! Andrew: [after being replaced by another drummer] Are you serious? Continuity mistake: In the beginning where Fletcher observes Andrew drumming for the first time, Fletcher hangs his jacket on a hook. : . TURN MY PAGES, BITCH! : | : Relationships, friendships or other trappings of a normal life disappear under. The truth is, Andrew, I never really had a Charlie Parker. And a year later he goes back to the Reno and he steps up on that stage and he plays the best motherfucking solo the world has ever heard. Give yourself at least two hours to get there this time, alright? : I can play it, okay? Terence Fletcher: I'm here, I'm ready to go. Part of the reason why movie bosses are so obsessed with crime movies is because they know that world and the criminals. Sure, you do. Oh my dear God. Fletcher: [points to sheet music] What does that say? For the record, Metz wasn't out of tune. [Andrew stop playing because Fletcher enters the room] Fletcher: All right. [Smiling] And I put him in Studio Band. People wonder why jazz is dying. Nicole: And when I do see you, you'd treat me like sh*t because I'm just some girl who doesn't know what she wants. : Terence Fletcher: You're here for a reason. : I'M UPSET! Andrew : Don't worry about what the other guys are thinking. That shit? And when he graduated, Marsalis made him third trumpet at Lincoln Center. I found out this morning that Sean died yesterday in a car accident. Say it so the whole band can hear you. Andrew Andrew: Have fun. Terence Fletcher: We have a squeaker today, class. Trivia Uncle Frank: | Play. : He berates students and physically assaults them to try to scare or force them into performing better. There is not a pot of gold under your f***in' seat. Are you in Model UN? Andrew: [louder] I'M UPSET! : But is there a line? What do you say? Now answer my question: were you rushing, or were you dragging? Terence Fletcher : Start counting! 2) Yes, he purposefully set Neiman up. Terence Fletcher: THEN WHY THE F*** DIDN'T YOU SAY SO? I need to look at the music. Exactly. Terence Fletcher: Terence Fletcher Andrew Right? Andrew: No, I didn't! I wanted you guys to know he was a beautiful player. Terence Fletcher: Were you rushing or were you dragging? [in calm,soothing manner to Andrew] Terence Fletcher I think it's definitely a fleeting thing. Terence Fletcher: Try me, you fucking weasel! Good job." Terence Fletcher Connolly, get your ass back on the kit! Fletcher: Why do you suppose I just hurled a chair at your head, Neiman? Fletcher is a cruel, ferocious and ruthless man who will verbally and physically abuse his students to no end in order to get the results he wants. Why do you suppose I just hurled a chair at your head, Nieman? : I think being the greatest musician of the 20th century is anybody's idea of success. Terence Fletcher: I'm sure they'll make great school board presidents someday. Quotes.net. But the truth was that he barely squeaked in to begin with and, uh he was really struggling. : Now this one really upsets me. And you have a path, and you're gonna be great, and I'm going to be forgotten, and therefore you won't be able to give me the time of day because you have bigger things to pursue? Andrew [Ryan gets up from the kit and is replaced by Andrew], Terence Fletcher: Terence Fletcher: Terence Fletcher: Fletcher: Cool. I'M UPSET! Like all you guys. Terence Fletcher And he practices and he practices with one goal in mind, never to be laughed at again. He practices. [louder] People wonder why jazz is dying. Andrew: Andrew: But is there a line? [walks over to Metz] It's okay. Andrew Nieman, you lost the fucking part. Fletcher: Hey, I can cut you any f***ing time I want. Terence Fletcher: I don't think people understood what it was I was doing at Shaffer. You are a worthless, friendless, faggot-lipped little piece of shit whose mommy left daddy when she figured out he wasn't Eugene O'Neill, and who is now weeping and slobbering all over my drum set like a fucking nine-year old girl! Exactly. [melancholic] [visibly distraught after phone call] You didn't have your f***ing throne adjusted properly and that is why you played like sh*t? : YOU'RE A DUMB FUCK! : Andrew: No. Terence Fletcher: Six years ago, I came across a kid in a practice room, working on his scales. Sorry, I'm late. Andrew: None of us were friends with Charlie Parker. A DUMB FUCK! No, double time. Technical Specs, [Andrew stop playing because Fletcher enters the room], [Andrew keeps playing after the music ends], [kicks drumset out of the way and tackles Fletcher]. I'm in studio band because I'm the best player Ryan Andrew Connelly's playing the part. Andrew: I don't know, I just never really saw the use. I actually fucking tried. : It's good to work, huh? Are you one of those single tear people? The folder is your fucking responsibility, Tanner. : One, and two, and-, [Band plays for a moment only to be cut by Fletcher again]. Terence Fletcher: Now are you a rusher, or are you a dragger or are you gonna be on my f***ing time? Double it! Why would you let him get away with what he did to you? Terence Fletcher You're fourth chair. Yeah. Before I continue, would that player care to identify himself? Fletcher: So, are you upset? Fletcher will always think he won and Andrew will be a sad, empty shell of a. Poster of Buddy Rich on Andrew's wall: Andrew: Because the next Charlie Parker would never be discouraged. You never earned anything. If your ass is not on that stool with your own f***ing sticks in hand or you make ONE F***ING MISTAKE, ONE! : : | There are no two words in the English language more harmful than "good job". Don't worry about what the other guys are thinking. Terence Fletcher Andrew: : In four, dammit! Terence Fletcher Before I continue, would that player care to identify himself? Get the fuck off my sight before I'll demolish you! Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse. Terence Fletcher: [Andrew stop playing because Fletcher enters the room] [in calm,soothing manner to Andrew] Hey, I can cut you any fucking time I want. No? Andrew All right, man. How 'bout, uh, Caravan? What is that? Got it? And I hope you play it a whole lot better than you did last month in rehearsal, because I do not intend to start losing now. I actually fucking tried, and that's more than most people ever do. Terence Fletcher: You're here for a reason. Fuck you! : Really? Andrew: [loud] I'm upset! No Bird. You were, Erickson, but he didn't know and that's bad enough. The faculty were all telling him, "Maybe this isn't for you." Terence Fletcher: [after Andrew stops drumming] Is that all you have you worthless Hymie f***? So you just don't give a sh*t about any of this? (00:03:20) 4. And a year later, he goes back to the Reno and he steps up on that stage, and plays the best motherfucking solo the world has ever heard. : Listen up, cocksuckers! Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse. Let's go with the Irish Mick fucking Paddy cracker. Sorry guys, hate to put you through this. [slap in the face] One, two, three, four. Terence Fletcher: Oh, my dear God. Bar 105. Whiplash raises the age-old question of depiction equaling endorsement. [Runs to get his sticks]. Andrew Andrew: Am I wrong? You were, Erickson, but he didn't know and that's bad enough. I'd rather die drunk, broke at 34 and have people at a dinner table talk about me than live to be rich and sober at 90 and nobody remembered who I was. [Andrew plays while Fletcher removes his jacket and puts it on a rack]. Metz, why are you still sitting there? Any fucking moron can wave his arms and keep people in tempo. [notices the folder is missing] Parker's a young kid, pretty good on the sax, gets up to play at a cutting session, and he fucks it up. I'm in studio band because I'm the best player Ryan: Not quite my tempo. [Smiling] Terence Fletcher One, and two, and-, [Band plays and is immediately cut off again]. I told you that story about how Charlie Parker became Charlie Parker, right? By the time your done at Schaeffer your gonna make daddy look like a f***ing success story, got it, OR, we can let Johnny Utah play the part, you choose. Terence Fletcher: In four, dammit! : [calmer tone] I've carried your fat ass for too long, Metz. No Bird. | Andrew, what are you doing, man? Nieman, you earned the part. Andrew: Terence Fletcher: There are no two words in the English language more harmful than "good job". I can still fucking see you, Mini Me! I'll cue you. : End of story. And he's laughed off stage. Andrew Would you characterize his conduct as extreme, Andrew, I 'm ready to go,... Loud ] I 'm the best player Ryan: not quite my tempo don & # ;. Marsalis made him third trumpet at Lincoln Center rushing, or were rushing! Can cut you any f * * ing paddy-cracker: One, two, and-, [ Band for! Have been done * in ' seat Andrew plays while Fletcher removes his jacket on a hook was baby. 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