Sarah Smyth is a Lecturer at the Department of Literature Film and Theatre Studies (LiFTS) at the University of Essex. Young. How far does this increase your understanding of the film? Be prepared to feedback in your next lesson. Beneficial for Longinotto as it enabled her to move to different spaces to capture alternate perspectives. Director Kim Longinotto. . In Hindi with English subtitles and distributed by Women Make Movies.) A poem in the collection, 'language blows away', is dedicated to the feminist observational film-maker Kim Longinotto, whose work is structured around the voices of women engaged in struggles . Among the modules she teaches, one is on Women Filmmakers. During Sarah's PhD candidacy at the University of Southampton, fully funded by the AHRC project Calling the Shots: Women and Contemporary Film Culture in the… The Toronto festival will also give Canadian premieres to Kim Longinotto's Dreamcatcher, which earned the world cinema doc directing award in Sundance, Jerry Rothwell's How to Change the World . Apply one filmmaker's theory of documentary film you have studied to your chosen documentary. Social representation is what… Longinotto recognises that, whilst documentary as a film form remains constructed, she much prefers the mirage present in fiction films whereby the audience sees an illusion of reality. Kim Longinotto, Director: Sisters in Law. Many choices in this film's cinematography and editing point to an observational 'fly on the wall' filmmaking style: all footage is recorded handheld by Longinotto herself, allowing for unexpected and naturalistic movement between events as they occur, and is less obstructive than if a tripod were used. Following in the footsteps of the filmmakers whose work it features—including Miranda July, Janie Geiser, Tracey Moffatt, Sally Potter, Cindy Sherman, Samira Makhmalbaf, Sadie Benning, Agnès Varda, Kim Longinotto, and Michelle Citron—There She Goes: Feminist Filmmaking and Beyond seeks to make trouble not only in the archives but also at the boundaries between artistic, industrial . 232 pages, 5 7/8 x 9, 2007. Barbara Kopple, Kim Longinotto, Marcel Ophuls, Gordon Quinn, and Agne`s Varda to be inspiring. Her debut film, 1976's Pride of Place, a school project of hers during her years at England's National . Kim Longinotto, one of the world's foremost female film-makers has gained worldwide acclaim for her brutally honest portrayals of oppression and violence against women and children. (20) Intro Documentary is a broad genre. This chapter offers definition to the way in which the female gaze is conceived and examined in this book. Manycolleagues incommunication, Tess Motherway is a Filmmaker, Visual Artist & Film Curator from Dublin, Ireland, based in Berlin since 2016. She primarily focuses on observational documentaries about women around the world. Kim Longinotto is a British documentary filmmaker who is well known for featuring themes of female oppression and discrimination in her films. Amy compared to Kim Longinotto's theory. The main subject of "Thriller" is not a person, but an idea: the critique of the traditional sacrifice of . "Film Theory and Visual Fascination." In The Cinematic . Kapadia and Kim Longinotto present similar ideas through the use of documentary film. Desperation is a funny thing; it tends to make you do things you never would have expected. Filmmakers' have their own theories of documentary film making; whilst Michael Moore uses dark comedy and satire, and Nick Broomfield uses his direct interview technique, many other filmmakers differ on what they believe to be the way to make documentary films. Filmmakers "Theories" - Kim Longinotto. In this Issue. Kim Longinotto is a British documentarian and subscriber to the observational mode of documentary. 5 (September 2005): 548-567. How far does this increase your understanding of the film? Studies Critical Theory, Film Studies, and Film Theory. Reel Sound Theory Film Reviews Gaea Girls The Guardian Midnight Eye Shinjuku Boys Bright Lights Connections (i) Hit the Mat - Interview with Kim Longinotto and Jano Williams by Philippa Bourke at IndieWire (ii) Kim Longinotto talks about Gaea Girls with Sophie Morrow in The Independent (iii) Kim Longinotto's Q&A at BAFTA Along with her co-director Jano Williams who also participated and helped with Longinotto with this amazing film. $67.50 cloth ISBN 978--8166-4759-. (Reviews PINK SARIS. feminist film theory, identified as starting with Laura Mulvey and which . Ideal for teaching EDUQAS A-LEVEL** FILM STUDIES**, this resource focuses on Kim Longinotto's documentary practice and 'theory', allowing students to contextualise her approach in terms of wider feminist debates around the position and role of Western feminists vis-a-vis feminists from other cultures and national contexts. Kapadia is similar to this in someways in his film Amy. The Female Gaze in Documentary Film - an International Perspective makes a timely contribution to the significant rise in interest in recent times in the status, presence, achievements and issues for women in contemporary screen industries. About. Tay's analysis of Longinotto can be summed up in her words: 'Longinotto has an oeuvre of fourteen documentary films that she has been making since 1976. She completed her M.Phil in Film, Theory & History at Trinity College Dublin in 2010 & graduated from Dún Laoghaire Institute of Art, Design & Technology in 2007 with a BA (Hons) degree in Fine Art with a concentration on Painting, Drawing & Installation. Cine 372 - Film Theory (Fall 2011) . Kim Longinotto (1952), a documentary filmmaker from the UK, is one of them and has been using her talent to highlight the oppression and discrimination of females from stifling traditions and authoritative rule for the last three decades. devoted to each adaptation, with Imboden discussing first the source text then the film. However, Longinotto wants to have layers and meaning to her films. ISSN 0270-5346. . Location India. Cine 721:Non-Narrative Cinema (Fall 2012) on Kim Longinotto's SISTERS IN LAW Cine 304: Women and Film (Fall 2012) on Kim Longinotto's SISTERS IN LAW . The filmmaker Kim Longinotto's theory regarding documentaries is that she likes to be the eyes of her audience without tampering with anything. The topic of this book, as well as its companion volume, Female Agency and Documentary Strategies: Subjectivities, Identity and Activism, is an internationally focused study of female authorship in relation to the documentary image.Addressed by a group of scholars and practitioners at the forefront of contemporary views on this issue, these two volumes are defined by a collaborative effort to . Hemmings, Clare. She teaches and researches in diverse areas of documentary film history, theory, and practice, digital ethnography, media representations, spectatorship and transnational cinemas. Sheffield International Documentary Festival Deputy Director Melanie Iredale will lead a conversation with Kim. The project of this thesis has been to look at how the women are represented in two documentary films made by Kim Longinotto, a British woman and documentary producer. Candidates will address the question, and in the process, develop a position on the importance of the filmmaker's approach to a key aspect of their . A Level Film Studies Thursday, 19 April 2018. It examines the works, contributions and participation of female documentary directors globally. Candidates will make some reference to documentary filmmakers' theory (one or two from Watkins, Broomfield, Longinotto, Moore) identifying points of interest that relate to their chosen film. Kim Longinotto is a veteran British documentarian focusing primarily on the repression of and aggression against women around the world. Longinotto went to Essex University to study English and European literature and… Release 2010. These ideas, in Kim Longinottos case, are often based on the oppression and discrimination of females in… I should have known better than to expect kindness from a man nicknamed Sin. We do not hear from his throughout the documentary, instead we are presented… Feminism, documentary film and visual anthropology are the three domains that this study connects. Trajectories of Affect for Film Studies Watch: Blue Steel (Kathryn Bigelow, 1989) and Blade Runner (Ridley Scott, 1982) Shaviro, Steven. While her training and cinematic allegiances are . Kim Longinotto, the British documentary filmmaker, who rose to fame through her . Stories We Tell (Michael Moore (His theory - more 'playful'…: Stories We Tell (Michael Moore, Kim Longinotto, Cinematography, Mise-en-Scene, Sound, Representation, Editing, Lighting, Digital Technology, Social Contexts, Cultural Contexts, Political Contexts, Institutional Contexts, Technologicl Contexts, Historical Contexts) Articles. Close mobile search navigation. Lizzie Thynne, University of Sussex, School of Media, Film and Music, Faculty Member. How far does this increase your understanding of the film? 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